Date of Award
Bachelor of Arts (BA)
Surprisingly, the importance of music in the plays of Shakespeare and his contemporaries has received little attention from modern scholars. Much has been written on the music which would have affected Shakespeare, but no one has focused his or her attention on Shakespeare's use of music as a dramatic device, i.e., as an aid to intensify and forward action, convey meaning, portray characters, and create atmosphere, such as a mood of mysticism or awe. In Henry IV, which I shall consider here, music as a dramatic device supports the Platonic concept of unity and the tripartite structure of both the individual psyche and the state. This paper will address music as a dramatic device, including the way it serves as a unifying force within the play.
Williams, Kenneth R., "Music and Plato in Shakespeare's Henry IV, Part I" (1989). Undergraduate Honors Capstone Projects. 419.
Copyright for this work is retained by the student. If you have any questions regarding the inclusion of this work in the Digital Commons, please email us at .
Departmental Honors Advisor
Capstone Committee Member