Authors

Tess C. Rankin

Document Type

Article

Journal/Book Title/Conference

Decimonónica

Volume

17

Issue

1

Publisher

Decimonónica

Publication Date

2020

First Page

65

Last Page

80

Abstract

The protagonist of Benito Pérez Galdós’s La desheredada (1881), Isidora Rufete, is plagued by delusions of falsely promised nobility that she believes to be etched into her face and her character. Her misunderstanding, which goes hand in hand with a ruinous personal economy, shapes her self-conception, one that ultimately leads to her choosing prostitution as her only tenable relation to the market, one that reflects the worth placed in her body. Isidora is also an insomniac. Galdós recounts her nighttime flights of fancy, describing them as a second life that she fully populates with the friendships, the well-being, and above all the luxurious lifestyle, that are lacking in her waking hours (114). She spends the money that she is able to come by as though she benefitted from the riches she dreams up for herself at night. Yet even Isidora recognizes her joyous imaginings—“¡Qué hermoso palacio, Dios de mi vida!” begins the chapter “Insomnio número cincuenta y tantos”—as a form of suffering since they come at the expense of sleep: “¡Qué suplicio! Me muero de insomnio...” (214, 216).

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