Date of Award:

5-2016

Document Type:

Thesis

Degree Name:

Master of Science (MS)

Department:

Political Science

Committee Chair(s)

Colin Flint

Committee

Colin Flint

Committee

Robert Nalbandov

Committee

Lynne S. McNeill

Abstract

Estonian national identity—how Estonians imagine their values, history, and place in the world—is defined by their centuries-long struggle for independence and autonomy. This thesis examines the struggle and resulting identity through the lens of the laulupidu, or song festival, and its employment as a vehicle of political mobilization and re-constructor of Estonian history. Regarding folklore, in this case festivals and folk songs, as containers of the soul of the nation, I show how Estonians have produced and reproduced their national identity through the practice which they hold sacred: choral singing. I implemented a critical geopolitical approach, which emphasizes the power of discourse and representation, to examine the song festivals. I coupled this approach with Billig's concepts of 'hot' and banal nationalism, and Paasi's focus on independence, to study the 2014 song festival, entitled "Touched by Time. The Time to Touch." Utilizing the song selection from the 2014 festival and comparing it against the programs from festivals ranging from 1869-2009 (from which selections were gleaned for the 2014 event), this thesis shows how Estonian national identity and historical memory are reconstructed through the symbolic choice of song.

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