Date of Award:
5-2021
Document Type:
Thesis
Degree Name:
Master of Science (MS)
Department:
Communication Studies and Philosophy
Department name when degree awarded
Languages, Philosophy, and Communication Studies
Committee Chair(s)
Jennifer Peeples
Committee
Jennifer Peeples
Committee
Mollie Murphy
Committee
Doris McGonagill
Abstract
In 2019, the movie Jojo Rabbit (Waititi, 2019) was released to theaters. Because the film uses comedy and satire to tell a story about Jojo, a young Nazi who has Hitler as an imaginary friend, it received mix reviews. This analysis focuses on how the movie sheds light on the negative influence of hegemonic masculinity. Hegemonic masculinity refers to the messages and actions that place men above women or types of masculinity above femininity and other masculinities. Jojo’s desire to be a Nazi is deeply connected to his desire to be man. This analysis examines how hegemonic masculinity a) can limit the definition of manhood in negative ways b) pressures men and boys to prove or defend their manhood, and c) influences how boys and men use violence, threats, and public humiliation to police each one another’s masculinity. By understanding the film in this way, we can better understand how messages of hegemonic masculinity support extremist beliefs like white supremacy and neo-Nazism. We can also see how beliefs about male superiority harm everyone, even boys and men.
Checksum
5ca992db2223be4c492458f0909270a0
Recommended Citation
Lippert, Christian W., "Snake Mind, Wolf Body, Panther Courage: Jojo Rabbit as a Critique of Hegemonic Masculinity" (2021). All Graduate Theses and Dissertations, Spring 1920 to Summer 2023. 8096.
https://digitalcommons.usu.edu/etd/8096
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