Date of Award:
8-2025
Document Type:
Thesis
Degree Name:
Master of Arts (MA)
Department:
English
Committee Chair(s)
Jeannie Thomas
Committee
Jeannie Thomas
Committee
John H. McDowell
Committee
Joe Kinzer
Abstract
This research focuses on how ballads play a central role in the cultural and spiritual life of the Alevi-Bektashi community in Türkiye. These ballads, performed by folk poets known as aşık (minstrel) with the stringed instrument bağlama are the inseparable elements of their daily life and sacred rituals. As rooted in the path of Ali, the fourth Caliph of Islam, and the teachings of 13th-century Sufi saint Haji Bektash Veli, Alevi-Bektashi ballads express shared emotions, struggles, and hopes. Therefore, my point of view argues that these ballads do more than preserve the Anatolian ballad tradition. They create a sense of collective understanding and emotional connection, which I call "communal cognition." Through the ezgi (melody) of poetic lyrics of these ballads, Alevi-Bektashi people look for derman (remedy) for their gender, politics, and love-related dert (malady).
Checksum
04945f4f2a677a75ba931e09c6fb6324
Creative Commons License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License.
Recommended Citation
Cingoz, Mustafa, "Alevi-Bektashi Ballads: Malady, Melody and Remedy" (2025). All Graduate Theses and Dissertations, Fall 2023 to Present. 529.
https://digitalcommons.usu.edu/etd2023/529
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