Date of Award:
8-2025
Document Type:
Thesis
Degree Name:
Master of Arts (MA)
Department:
History
Committee Chair(s)
Tammy M. Proctor
Committee
Tammy M. Proctor
Committee
Christopher Conte
Committee
Susan R. Grayzel
Abstract
This thesis explores what happens when war enters a forest. From 1944 to 1945, American and German forces fought a long, brutal battle in the Hürtgen Forest near Germany’s western border. The dark, wet, and heavily wooded terrain made the fighting unusually difficult. Soldiers struggled not just with enemy fire, but with freezing rain, deep mud, low visibility, and constant stress. The forest shaped how the battle unfolded and intensified its hardships.
But the war’s impact on the forest continued long after the soldiers left. Unexploded bombs and artillery shells littered the ground. During a heatwave in 1947, many of these munitions ignited, causing wildfires that destroyed large areas of woodland. In the aftermath, forest managers planted more diverse and fire-resistant tree species to reduce future risk. In this way, the forest became both a victim of the war and a site of human-led recovery.
By combining military and environmental history, this study shows how people and landscapes are connected during and after times of war. The forest was not just a setting for combat—it influenced decisions, shaped experiences, and still carries visible and invisible traces of conflict. This story helps us see forests not only as natural spaces, but also as places that hold memory, trauma, and resilience.
Checksum
5ecce8ac41232d04397c7a6e39101d30
Creative Commons License
This work is licensed under a Creative Commons Attribution-Noncommercial 4.0 License
Recommended Citation
Williams, Cedar, "Warfare and Woodlands: Tracing Environmental and Military History in the Hürtgen Forest" (2025). All Graduate Theses and Dissertations, Fall 2023 to Present. 571.
https://digitalcommons.usu.edu/etd2023/571
Included in
Copyright for this work is retained by the student. If you have any questions regarding the inclusion of this work in the Digital Commons, please email us at .