Date of Award
5-2018
Degree Type
Creative Project
Degree Name
Master of Fine Arts (MFA)
Department
Art and Design
Committee Chair(s)
John Neely
Committee
John Neely
Committee
Jerome Murphy
Committee
Marissa Vigneault
Abstract
This thesis exhibition is a presentation of my research into historic and autoethnographic analyses of social, material, and technical practices that support the production of atmospheric-fired stoneware and porcelain vessels. My work examines contemporary ceramic processes of wood-firing, salt-glazing and wood ash glazes and how they continue craft practices of historic traditions.
By critically examining the ceramic studio as a ground for material and ethnographic research, I aim to better understand the social conditions that support and produce atmospheric-fired ceramic practices in the 21st century, as well as how and why we continue to create such pots. My practice-based research involves the procedures of wheel-thrown ceramics and atmospheric-firing, and the use of locally sourced glazes.
I am fascinated by the interaction of clay, sodium vapors and wood ash; how ceramic material and kiln technology have the ability to produce a ceramic surface that directly references the ceramic process. My object-based work finds inspiration from the aesthetic qualities found in the salt-glazed ceramics of 13th to 17th century Western Europe, 16th century Japanese Shigaraki ceramics and the pottery of colonial America. Embedded within my work is recognition of ceramic history coupled with a reflection on contemporary life.
Recommended Citation
Watt, Christopher, "Anticipation of Subsequent Days" (2018). All Graduate Plan B and other Reports, Spring 1920 to Spring 2023. 1227.
https://digitalcommons.usu.edu/gradreports/1227
Additional Files
Christopher Watt MFA show-01.jpg (2984 kB)Christopher Watt MFA show-02.jpg (2584 kB)
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Christopher Watt MFA show-17.jpg (2875 kB)
Christopher Watt MFA show-018.jpg (2782 kB)
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