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All That Divides Us
Utah State University Press
May Swenson Poetry Award Volume 4, with foreward by Maxine Kumin. Although the poems in this collection are not narrative, they do present a narrative, gradually unspooling the tale of the poet's rebel aunt, who left the family "to marry a Chinaman" in the 1930s. It's an old story, full of poignancy, mystery, family pride, and doubt. When the aunt returns to die, the poet, now grown, discovers in herself the need to reclaim the connections that her family had severed. She travels to China several times—to learn. Gradually, through wide-eyed insightful poems, we see the poet rebuild with her Chinese cousins a sense of generation, family, and humanity—bridging over all that that divides us. Elinor Benedict has also received the Mademoiselle Fiction Prize, a Michigan Council for the Arts Award, and an Editor's Grant from the Coordinating Council of Literary Magazines (CLMP). She earned an M.F.A. in writing from Vermont College and her work has also appeared in various literary journals and in five chapbooks.
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Borgo of the Holy Ghost
Stephen Mcleod
May Swenson Poetry Award Volume 5, with foreward by Richard Howard. An accomplished poet with credits in such literary magazines as APR, Paris Review, Ploughshares, and many others, Stephen McLeod is the 2001 recipient of the May Swenson Poetry Award. Judge for the competition was Richard Howard, internationally known poet and winner of the Pulitzer and many other poetry awards. Formerly of Dallas, Mr. McLeod lives in Brooklyn, where he is an Assistant District Attorney. He was educated at Southern Methodist University, Columbia University, and the Fordham University School of Law.
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Hammered Dulcimer
Lisa Williams
May Swenson Poetry Award Volume 2, with foreward by John Hollander. Lisa William's poems are infused with what John Hollander calls "a guarded wonder." A poet of unique vision, she seems always to be "looking at," with special attention to the experience of the senses. Moreover, Williams is equally concerned with epistemology—the how of seeing. And it is perhaps this quality of attention that informs her interest in the formulations of poetry itself, in its constructed dimension. Her control of the line, of rhythmic possibilities, of structures both formal and free, is evident in every poem. Together, William's original voice and her poetic finesse allow her to create those harmonies of wonder evoked by the very instrument, the hammered dulcimer, that gives her collection its name. Judge for the 1998 May Swenson Poetry Award was John Hollander, poet, critic, professor. Long a major figure in American letters, Hollander was a personal friend to May Swenson, and has influenced the work of many of our best emerging poetic voices.
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Haywire
Utah State University Press
May Swenson Poetry Award Volume 10, with foreward by Edward Field. "This poet, you knew from his very first lines, didn't fall for anything phony—his own language is irresistibly no-bullshit down to earth, even sassy.... Coming from one of the ethnic, industrial cities, his work has a gritty element. He recalls all the sorrows of a life—the drunken father, the parents' divorce, his mother's death, his unremitting horniness, his own divorce—nothing special, just what we all have to deal with one way or another. And yet he ends on an almost contented note. Haywire is remarkable for being an essentially happy book, though with an ironic eye cast on such happiness while children are starving. And when he arrives at this, we're glad for him. Here, I felt, was an irresistible, not-so-easy, engaging humanness. Bilgere is a damn good poet." —Edward Field, Judge of the 2006 Swenson Award
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Mrs. Ramsay's Knee
Utah State University Press
May Swenson Poetry Award Volume 12, with foreward by Harold Bloom. Mrs. Ramsay's Knee offers fresh and elegant poems by Idris Anderson, many of them ekphrastic considerations of visual works of art. Among her subjects are paintings by Rembrandt, Rousseau, Pollock, and Chagall, yet she equally explores a set of news photos from the 2006 war between Israel and Hezbollah.
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Necessary Light
Utah State University Press
May Swenson Poetry Award Volume 3, with foreward by Mary Oliver. "I think the two attributes that will most impress readers are, first, the almost shimmering gladness with which Ms. Fargnoli replies to the gifts of beauty and of human love; and, second, the compassion with which she addresses whatever is beyond her own intimate surroundings. Whatever it costs her, whatever it takes, there seems to be for Ms. Fargnoli only one world and only one way to live within it: with a ferocity of attention, care, and response." Mary Oliver
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Neck of the World
Daniel F. Rzicznek
May Swenson Poetry Award Volume 11, with foreward by Alice Quinn. Neck of the World is the eleventh volume in the prestigious May Swenson Poetry Award series. In it, Daniel Rzicznek offers poems that, in quick angular language, capture the natural world and at the same time extend it into a surreal vision, sometimes dream-like, sometimes dark. Alice Quinn, judge for the 2007 Swenson Award, says this of Rzicznek's work: "Throughout, the language pulsates, always vigorous, by turns knotty and crystalline. . . . In Neck of the World, we have a poet with a striking new vision--challenging, rewarding, and bold.
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Plato's Breath
Utah State University Press
May Swenson Poetry Award Volume 1 with foreward by Herbert Leibowitz. Freisinger's new poetry collection is inhabited alike by bright, tangible images and thoughtful, intricate meditations. Pumpkins, poultry houses, sperm tests, a vacuum cleaner salesman, a father's damaged brain, an anatomist's tools, a baby falling from a fourth-story window-all of these come to the page distinct and palpable. At the same time, the work finds a central inspiration in theoretical work like Jeremy Rifkin's social criticism. Poetry of both the mind and the heart, Plato's Breath embraces the power of imagination to transform the ordinary into an extraordinary affirmation of life.
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She Took Off Her Wings and Shoes
Utah State University Press
May Swenson Poetry Award Volume 7, with foreward by Alicia Ostriker. Nominated twice for the Pushcart Prize, Ms. Bishop's credits include publications in Antioch Review, 13th Moon, Eratica, Aries, The Little Magazine, and many other literary journals. As a poet and writing teacher, she gives many readings, as well as workshops for gifted children, seniors, and other writers on the US-Mexico border; she has worked with at-risk youth and with the rural Hispanic community.
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The Beautiful Lesson of the I
Utah State University Press
May Swenson Poetry Award Volume 9, with foreward by Rachel Hadas. Frances Brent's poems have appeared in The New Yorker, Notre Dame Review, Yale Review, and in many other journals. She was born in Chicago and was educated at Barnard College. She studied poetry at Columbia University and the University of Illinois, Chicago. From 1984-1991 she co-edited the literary journal Formations. In 1987 she co-translated Beyond the Limit: poems by Irina Ratushinska-ya She has taught at Yale, Northwestern, Loyola University, and Barat College. She lives with her family in New Haven.
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The Owl Question
Faith Shearin
May Swenson Poetry Award Volume 6, with foreward by Mark Doty. The Owl Question underscores and relishes life's transitions from young girl to woman, from child to wife to mother, and from isolation to connection this poet's bright sense of abundance and awe, here expressed in finely tuned detail and refreshingly open observation, reads like a collective memory. Though private and closely held, these questionings are as familiar as our own souls, and in their transformation to poetry, Shearin has created the very "map" she wishes to guide her when she "can't learn the world fast enough."
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Tomorrow's Living Room
Jason Whitmarsh
May Swenson Poetry Award Volume 13, with foreward by Billy Collins. Tomorrow's Living Room offers a pleasantly disorienting verbal territory. The collection is alternately wry and dark, hopeful and bleak, full of unexpected light and laugh-out-loud incongruities. We begin to see that the shape and the furniture of Jason Whitmarsh's world reflect our own world (and may in fact be universal), but we're considering them through completely new terms of engagement.
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Where She Always Was
Frannie Lindsay
May Swenson Poetry Award Volume 8, with foreward by J. D. McClatchy. In his Foreword, McClatchy speaks of the musical qualities of Lindsay's work: "It is impossible, reading her poems, not to hear a musical hand at work. This is not just a matter of delicacy or virtuosity. It is also a matter of knowing how to phrase a line... Lindsay moves from detail to trope with utter poise, with an intuitive sense of what to sustain or emphasize. Her language is crisp. I can pick a stanza at random... and praise its plosive energy, its modulated vowels, its variety and elan... Where She Always Was allows us . . . the rare gratification of watching a poet-wonderfully accomplished, quietly persuasive-look back on a lifetime's worth of emotions and calculate their bearing on the present. In her craft is the truth."
This annual competition, named for May Swenson, honors her as one of America's most provocative and vital writers. In John Hollander's words, she was "one of our few unquestionably major poets." During her long career, May was loved and praised by writers from virtually every school of American poetry. She left a legacy of fifty years of writing when she died in 1989. She is buried in Logan, Utah, her hometown. Photograph information: May Swenson, 1965 by L.H. Clark.
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