Bob Broad, Linda Adler-Kassner, Barry Alford, and Jane Detweiler
Educators appropriately strive to create "assessment cultures" (Huot 2002) in which they integrate evaluation into teaching and learning and match assessment methods with best instructional practice. But how do teachers and administrators establish the values that underlie their evaluations? Bob Broad's 2003 volume, What We Really Value, introduced dynamic criteria mapping (DCM) as a method for eliciting locally-informed, context-sensitive criteria for writing assessments. The impact of DCM on writing assessment practice is just beginning to emerge as more and more writing departments and programs adopt, adapt, or experiment with DCM approaches. For the authors of Organic Writing Assessment, the DCM experience provided not only an authentic assessment of their own programs, but a nuanced language through which they can converse in the always vexing, potentially divisive realm of assessment theory and practice. Of equal interest are the adaptations that these writers invented for Broad's original process, to make DCM even more responsive to local needs and exigencies. Organic Writing Assessment represents an important step in the evolution of writing assessment in higher education. This volume documents the second generation in an assessment model that is regarded as scrupulously consistent with current theory; it shows the range of DCM's flexibility, and presents an informed discussion of its limits and its potentials.
Paul Butler applauds the emerging interest in the study of style among compositionists, arguing that the loss of stylistics from composition in recent decades left it alive only in the popular imagination as a set of grammar conventions. Butler's goal in Out of Style is to articulate style as a vital and productive source of invention, and to redefine its importance for current research, theory, and pedagogy. In so doing, he offers an important revisionist history of the field by reading it specifically through the canon of style. In addition, Butler argues that it is through style that scholars in the field can find a needed entry into public discussions about writing. Scholars in composition know that the ideas about writing most common in the discourse of public intellectuals are egregiously backward. Without a vital approach to stylistics, Butler argues, writing studies will never dislodge the controlling fantasies of self-authorized pundits in the nation's intellectual press. Composition must answer with a public discourse that is responsive to readers' ongoing interest in style but is also grounded in composition theory.
Noel A. Carmack and Karen Lynn Davidson
Effie Marquess Carmack (1885-1974) grew up in the tobacco-growing region of southern Kentucky known as the Black Patch. As an adult she moved to Utah, back to Kentucky, to Arizona, and finally to California. Economic necessity primarily motivated Effie and her husband's moves, but her conversion to the Mormon Church in youth also was a factor. Throughout her life, she was committed to preserving the rural, southern folkways she had experienced as a child. She and other members of her family were folk musicians, at times professionally, and she also became a folk poet and artist, teaching herself to paint. In the 1940s she began writing her autobiography and eventually also completed a verse adaptation of it and an unpublished novel about life in the Black Patch.
Much of Effie's story is a charming memoir of her vibrant childhood on a poor tobacco farm. She describes a wide variety of folk practices, from healing and crafts to children's games. Her family's life included the backbreaking labor and economic trials of raising tobacco, but it was enriched by a deep familial heritage, communal music, creative play, and traditional activities of many kinds. After the family converted to the Mormon Church, religious study and devotion became another important dimension. Effie's account of Mormon missions contributes to the little-known record of Latter-day Saint attempts to establish a presence in the South.
After marrying, the Carmacks moved west, eventually landing in the Arizona desert, where Effie took up painting in earnest. Her art began to attract modest attention, which brought exhibits, awards, and a new career teaching others what she had taught herself. After the Carmacks later retired to Atascadero, California, Effie became a more active and public folk singer as well.
This contributed volume explores the functions of belief and supernatural experience within an array of cultures, as well as the stance of academe toward the study of belief and the supernatural. The essays in this volume call into question the idea that supernatural experience is extraordinary.
Richard V. Francaviglia
Francaviglia looks anew at the geographical-historical context of the driving of the golden spike in May 1869. He gazes outward from the site of the transcontinental railroad's completion—the summit of a remote mountain range that extends south into the Great Salt Lake. The transportation corridor that for the first time linked America's coasts gave this distinctive region significance, but it anchored two centuries of human activity linked to the area's landscape. Francaviglia brings to that larger story a geographer's perspective on place and society, a railroad enthusiast's knowledge of trains, a cartographic historian's understanding of the knowledge and experience embedded in maps, and a desert lover's appreciation of the striking basin-and-range landscape that borders the Great Salt Lake.
William B. Smart and Donna T. Smart
Over the Rim is the first book about an important but little-known expedition sent by Brigham Young to explore southern Utah. Led by Mormon apostle Parley P. Pratt, the party traveled from Salt Lake City south across the rim of the Great Basin to the Virgin River near future St. George. They brought back to Mormon leaders their first detailed portrait of the country to the south that the church planned to settle. By 1849, the new Mormon settlement at Great Salt Lake City was taking on an air of permanence as companies of Latter-day Saints continued to arrive. Brigham Young and other leaders needed to find homesites for the growing body of settlers and to learn more about the expansive region, extending as far south as the coast, they had selected for colonization. Pratt's party of fifty set out in the winter of 1849-50. They followed the Spanish Trail and other existing paths but also found new routes. As they went, they noted possible town sites, agricultural and mineral potential, water supplies, and other resources, creating an often-followed blueprint for the Mormon push south. Their descriptions of the Utes and Paiutes, including leaders Walkara and Arapeen, are among the most valuable parts of the journals. The Indians welcomed the travelers but were suffering from disease, increasing white settlement and travel in their territories, and trade in Indian slaves. Such encounters helped shape future relations with the tribes. Made in the depth of winter, the arduous journey included many hardships and adventures but had a permanent impact on Utah history.
Gail E. Hawisher and Cynthia L. Selfe
Once again, Gail Hawisher and Cynthia Selfe offer a volume that will set the agenda in the field of computers and composition scholarship for a decade. The technology changes that scholars of composition studies face as the next century opens couldn't be more dramatic or deserving of passionate study. While we have always used technologies (e.g., the pencil) to communicate with each other, the electronic technologies we now use have changed the world in ways that we have yet to identify or appreciate fully. Likewise, the study of language and literate exchange, even our understanding of terms like literacy, text, and visual, has changed beyond recognition, challenging even our capacity to articulate them.
Mark T. Decker and Michael Austin
In a time when Mormons appear to have larger roles in everything from political conflict to television shows and when Mormon-related topics seem to show up more frequently in the news, eight scholars take a close look at Mormonism in popular media: film, television, theater, and books.
Some authors examine specific works, including the Tony-winning play Angels in America, the hit TV series Big Love, and the bestselling books Under the Banner of Heaven: A Story of Violent Faith and The Miracle Life of Edgar Mint. Others consider the phenomena of Mormon cinema and Mormon fiction; the use of the Mormon missionary as a stock character in films; and the noticeably prominent presence of Mormons in reality television shows.
E. Richard Hart
Pedro Pino, or Lai-iu-ah-tsai-lu (his Zuni name) was for many years the most important Zuni political leader. He served during a period of tremendous change and challenges for his people. Born in 1788, captured by Navajos in his teens, he was sold into a New Mexican household, where he obtained his Spanish name. When he returned to Zuni, he spoke three languages and brought with him a wealth of knowledge regarding the world outside the pueblo. For decades he ably conducted Zuni foreign relations, defending the pueblo's sovereignty and lands, establishing trade relationships, interacting with foreigners-from prominent military and scientific expeditions to common emigrants-and documenting all in a remarkable archive. Steeped in Zuni traditions, he was known among other things for his diplomatic savvy, as a great warrior, for his oratory, and for his honesty and hospitality.
More than a biography, Richard Hart's work provides a history of Zuni during an especially significant period. Also the author of Zuni and the Courts: A Struggle for Sovereign Land Rights and the co-author of A Zuni Atlas, Hart originally wrote the manuscript in 1979 after a decade of historical work for Zuni Pueblo. He then set it aside but continued to pursue research about and for Zuni. Its publication, at last, inscribes an important contribution to Pueblo history and biography and a testimonial to a remarkable Native American leader. In an afterword written for this publication, Hart discusses his original intentions in writing about Pedro Pino and Zuni and situates the biography in relation to current scholarship.
Deborah H. Holdstein and David Bleich
In Personal Effects, Holdstein and Bleich compile a volume that cuts across the grain of current orthodoxy. These editors and contributors argue that it is fundamental in humanistic scholarship to take account of the personal and collective experiences of scholars, researchers, critics, and teachers. They contend that humanistic inquiry cannot develop successfully at this time without reference to the varieties of subjective, intersubjective, and collective experience of teachers and researchers. In composition studies, they point out, an important strand of theory has continuously mined the personal experience of individual writers ("where they stand" even in a destabilized sense of that idea). "[S]uch substantive accounts of the 'inner' academic life provide appropriate and rich contexts for further study and analysis." With this volume, then, these scholars move us to explore the intersections of the social with subjectivity, with voice, ideology, and culture, and to consider the roles of these in the work of academics who study writing and literature. Taken together, the essays in this collection carry forward the idea that the personal, the candidly subjective and intersubjective, must be part of the subject of study in humanities scholarship. They propose an understanding of the personal in scholarship that is more helpful because more clearly anchored in human experience.
A J. Simmonds
This book does not pretend to present a comprehensive history of Utah State University. It cannot. It presents glimpses of that institution, glimpses that can be documented by the photographs preserved in University Archives. Entire areas of the University's past are ignored for no better reason than that no one had an available camera to record them; or that, once recorded, they never found their way into University Archives. The entire story is not told. That is the responsibility of another. I leave it to him. And if these pages are much concerned with the early years when the institution was new, I can only plead that there is where the author's interests are also centeredwhen the land was new and when beginnings were made. This is my book. That must be clearly said, lest others receive opprobrium for the choices and conclusions that are mine alone. Thanks are due to those who tolerated my intolerable delays in producing it and to one who has helped in minimizing the delays and enriching the result: Jeannie. This is my book. It is dedicated to the memory of Andrew Charles Simmonds, I, 1872-1947, who enrolled at Utah State on January 5, 1892-and who wouldn't have believed what's happened since.
Jennifer Sinor and Rona Kaufman
Twenty-one writers answer the call for literature that addresses who we are by understanding where we are--where, for each of them, being in some way part of academia. In personal essays, they imaginatively delineate and engage the diverse, occasionally unexpected play of place in shaping them, writers and teachers in varied environments, with unique experiences and distinctive world views, and reconfiguring for them conjunctions of identity and setting, here, there, everywhere, and in between.
Utah State University Press
May Swenson Poetry Award Volume 1 with foreward by Herbert Leibowitz. Freisinger's new poetry collection is inhabited alike by bright, tangible images and thoughtful, intricate meditations. Pumpkins, poultry houses, sperm tests, a vacuum cleaner salesman, a father's damaged brain, an anatomist's tools, a baby falling from a fourth-story window-all of these come to the page distinct and palpable. At the same time, the work finds a central inspiration in theoretical work like Jeremy Rifkin's social criticism. Poetry of both the mind and the heart, Plato's Breath embraces the power of imagination to transform the ordinary into an extraordinary affirmation of life.
W. T. Pfefferle
Out to see America and satisfy his travel bug, W. T. Pfefferle resigned from his position as director of the writing program at Johns Hopkins University and hit the road to interview sixty-two poets about the significance of place in their work. The lively conversations that resulted may surprise with the potential meanings of a seemingly simple concept. This gathering of voices and ideas is illustrated with photo and word portraits from the road and represented with suitable poems.
The poets are James Harms, David Citino, Martha Collins, Linda Gregerson, Richard Tillinghast, Orlando Ricardo Menes, Mark Strand, Karen Volkman, Lisa Samuels, Marvin Bell, Michael Dennis Browne, David Allan Evans, David Romtvedt, Sandra Alcosser, Robert Wrigley, Nance Van Winckel, Christopher Howell, Mark Halperin, Jana Harris, Sam Hamill, Barbara Drake, Floyd Skloot, Ralph Angel, Carol Muske-Dukes, David St. John, Sharon Bryan, Donald Revell, Claudia Keelan, Alberto Rios, Richard Shelton, Jane Miller, William Wenthe, Naomi Shihab Nye, Peter Cooley, Miller Williams, Beth Ann Fennelly, Natasha Trethewey, Denise Duhamel, Campbell McGrath, Terrance Hayes, Alan Shapiro, Nikki Giovanni, Charles Wright, Rita Dove, Henry Taylor, Dave Smith, Nicole Cooley, David Lehman, Lucie Brock-Broido, Michael S. Harper, C. D. Wright, Mark Wunderlich, James Cummins, Frederick Smock, Mark Jarman, Carl Phillips, Scott Cairns, Elizabeth Dodd, Jonathan Holden, Bin Ramke, Kenneth Brewer, and Paisley Rekdal.
Melvin C. Johnson
In the wake of Joseph Smith Jr.'s murder in 1844, his following splintered. Most of the membership ultimately followed Brigham Young to Utah, but smaller groups coalesced around other Mormon leaders. A number of these later combined to form the Reorganized Church of Jesus Christ of Latter Day Saints, now the Community of Christ. Among those were most of the remaining followers of a maverick Mormon apostle, Lyman Wight. Sometimes called the "Wild Ram of Texas," Wight took his splinter group to frontier Texas, a destination to which Smith, before his murder, had considered moving his followers, who were increasingly unwelcome in the Midwest. He had instructed Wight to take a small band of church members from Wisconsin to establish a Texas colony that would prepare the ground for a mass migration of the membership. Having received these orders directly from Smith, Wight did not believe the former's death changed their significance. If anything, he felt all the more responsible for fulfilling what he believed was a prophet's intention. Antagonism with Brigham Young and the other LDS apostles grew, and Wight refused to join with them or move to their new gathering place in Utah. He and his small congregation pursued their own destiny, becoming an interesting component of the Texas frontier, where they had a significant economic role as early millers and cowboys and a political one as a buffer with the Comanches. Their social and religious practices shared many of the idiosyncracies of the larger Mormon sect, including polygamous marriages, temple rites, and economic cooperatives. Wight was a charismatic but authoritarian and increasingly odd figure, in part because of chemical addictions. His death in 1858 while leading his shrinking number of followers on yet one more migration brought an effective end to his independent church.
Lu Ann Faylor Snyder and Phillip A. Snyder
These letters among two women and their husband offer a rare look into the personal dynamics of an LDS polygamous relationship. Abraham "Owen" Woodruff was a young polygamous Mormon apostle, and the son of LDS President Wilford Woodruff, who is remembered for the Woodruff Manifesto, a divinely-inspired call for the termination of plural marriage. The Woodruff Manifesto eased a systematic federal judicial assault on Mormons and made Utah statehood possible. It did not end polygamy in the church. Some leaders continued to encourage and perform such marriages. Owen Woodruff, himself married to Helen May Winters, contracted a secretive second marriage to Avery Clark. Pressure on the LDS church revived with hearings regarding Reed Smoot's seat in the U.S. Senate. After church president Joseph F. Smith issued the so-called Second Manifesto in 1904, polygamy and its more prominent advocates were mostly expunged from mainstream Mormonism. Owen Woodruff had often been "on the underground," moving frequently, traveling under secret identities, and using code names in his letters to his wives, while still carrying out his administrative duties, which, in particular, involved supervision of the nascent Mormon colonies in the Big Horn Basin of Wyoming. He was never excommunicated, as some of his apostolic colleagues were. Both he and his first wife, Helen, while living with Avery in Mexico and preparing for a mission to Germany, contracted smallpox and died suddenly in 1904. Avery later returned to Utah with her children along with those of Helen and Owen.
Nancy C. DeJoy
In Process This, Nancy DeJoy argues that even recent revisions to composition studies, cultural studies, service learning, and social process movements--continue to repress the subjects and methodologies that should be central, especially at the level of classroom practice. Designed to move student discourses beyond the classroom, these approaches nonetheless continue to position composition students (and teachers) as mere consumers of the discipline. This means that the subjects, methodologies, and theory/practice relationships that define the field are often absent in composition classrooms. Arguing that the world inside and outside of the academy cannot be any different if the profession stays the same, DeJoy creates a pedagogy and a plan for faculty development that revisions the prewrite/write/rewrite triad to open spaces for participation and contribution to all members of first-year writing classrooms. Ultimately, this book will help students and teachers of first-year writing challenge their positions as the consumers of composition studies and move toward more active roles as participants in and contributors to the field.
Widely considered the world's greatest living proverb scholar and known as the author of, among numerous other books, the Encyclopedia of World Proverbs and the coeditor of A Dictionary of American Proverbs, Wolfgang Mieder has brought particular attention and understanding to the uses of proverbs in politics. In this new collection of eight essays, he considers the role of proverbial speech in the American political scene from the Revolutionary War to the present.
Mieder introduces this survey with an examination of what characterizes American proverbs, what are their origins, and how they have spread internationally with the expansion of America's political role. He then turns to the origins and varied historical uses of what has become the defining proverb of American democracy, "government of the people, by the people, for the people." The employment of proverbs had no brighter exponent among the nation's founding generation than Abigail Adams, who was not without influence despite the exclusion from political office of women. As they have for so much, her abundant letters provide rich sources for politically charged proverbs.
Though it is especially associated with Abraham Lincoln, "a house divided against itself cannot stand" is a biblical proverb that has proven of wide value as a political expression. Frederick Douglass's proverbial prowess paralleled that of his contemporary Lincoln, and he employed it effectively in his battle for civil rights. Given proverbs' enduring role in American politics, it is an interesting exercise to compare how United States presidents have employed them in their inaugural addresses, which have produced such gems as John F. Kennedy's "ask not" dictum. The bonds Franklin Roosevelt and Winston Churchill formed through the World War II alliance were expressed in the proverbial language that frequently enlivened their correspondence. Having addressed these aspects of the proverb in American politics, Mieder winds up by considering the sociopolitical significance of the ambiguous proverb "good fences make good neighbors."
On the morning of August 14, 1909, a small, diverse group including Professor Byron Cummings of the University of Utah, Government Land Office surveyor William Douglass, pioneer archaeologist and trader John Weatherill, and Paiute guide Nasja Begay gazed at the largest structure of its kind in the world-Rainbow Bridge. Their presence marked the official discovery of the magnificent natural bridge, which spans 275 feet and towers 291 feet above the stream bed below it. Of the discovery party, only Nasja Begay had seen the stone arch before; he was one of a probably small number of Paiutes and Navajos, the true modern discoverers, who had visited it. In 1910, an executive order issued under the still fresh Antiquities Act created Rainbow Bridge National Monument, one of the first. Hank Hassell, a librarian and writer at Northern Arizona University, tells all this and much more in the first book to provide the complete story of Rainbow Bridge. Spectacular photos and informative drawings illustrate his text.
Three generations of the Demas family face the ups and downs of the twentieth century after their fathers leave the coal mines that drew them from Greece to America, become wool growers and small businessmen, and Americanize their Demopoulos name. As the years pass, the family accumulates untidy lives and tragedies. Parents seek to keep their children tightly bound by old-country customs, to arrange marriages, and to foist their views of women's inferiority on their daughters. Lia Papastamos in particular, child of a forced marriage between her Greek father and Amerikanidha mother, pulls away from the stifling burden of family tradition and interference, but she and her husband must contend with the decline that time, synthetics, and changing tastes bring to a once-thriving sheep business.
Helen Papanikolas was one of Utah's most revered authors. Known and respected nationally and internationally as the preeminent narrator of the Greek American experience, appreciated in Utah particularly for her documentation of our multicultural history, she is widely admired as well for her storytelling through fiction and memoirs. Rain in the Valley, her last book, is a culmination. In a narrative rich with life, insight, and experience she portrays the generations of a Greek-American family. Their story is rooted in sheepherding, set primarily in Helper, Utah, and shaped by the changes that the twentieth century brings to them.
Helen Papanikolas is widely known as the preeminent narrator of the Greek American experience. Her ýmonumental contributionsý were honored in 2003 with a special issue of the Journal of the Hellenic Diaspora. Those contributions include Greek and multicultural histories, folklore studies, memoirs, and several works of fiction, including The Time of the Little Black Bird; The Apple Falls from the Apple Tree: Stories; and Small Bird, Tell Me: Stories of Greek Immigrants in Utah. Rain in the Valley was the last work she completed before her death in late 2004.
LuMing Mao offers an important discussion of the rhetoric of Chinese American speakers, which has wide implications for the teaching of writing in English and for our understanding of cross-cultural influences in discourse. Recent scholarship tends to explain such influences as contributing to language hybridity—an advance over the traditional "deficit model." But Mao suggests that the "hybridity" approach is perhaps too arid or sanitized, missing rich nuances of mutual exchange, resistance, or even subversion. Through his concept of "togetherness in difference, Mao suggests that speakers of hybrid discourse may not be attempting the standard (and failing), but instead may be deliberately importing cultural material to create a distance between themselves and the standard. This practice, over time, becomes a process that transforms English, enriching and enlarging it through the infusion of non-Western discourse features, subverting power structures, and even providing unique humorous touches. Of interest to scholars in composition, cultural studies, and linguistics as well, Reading Chinese Fortune Cookie leads in an important new direction for both our understanding and our teaching of English.
Brian Huot's aim for this book is both ambitious and provocative. He wants to reorient composition studies' view of writing assessment. To accomplish this, he not only has to inspire the field to perceive assessment—generally not the most appreciated area of study—as deeply significant to theory and pedagogy, he also has to counter some common misconceptions about the history of assessment in writing. In(Re)Articulating Writing Assessment, Huot advocates a new understanding, a more optimistic and productive one than we have seen in composition for a very long time. Assessment, as Huot points out, defines what is valued by a teacher or a society. What isn't valued isn't assessed; it tends to disappear from the curriculum. The dark side of this truth is what many teachers find troubling about large scale assessments, as standardized tests don't grant attention or merit to all they should. Instead, assessment has been used as an interested social mechanism for reinscribing current power relations and class systems.
Sandra Ailey Petree
For visitors to the Martin's Cove historic site in Wyoming, Patience Loader has become an icon of the disastrous winter entrapment of the Martin and Willie handcart companies. Her record of those events is important, but there is much else of interest in her autobiography. In fact, it is a bit unusual that someone such as her would have left such an engaging record of her life. The daughter of an English gardener, Patience Loader became a boarding house servant, domestic maid, and seamstress. Converted to Mormonism, she shipped with her parents to America. They joined the ill-fated Martin company, which because of poor planning and a late start west, was caught poorly prepared by severe high plains snowstorms in October and November 1856. The combined fatalities of the Martin and Willie companies made this the worst disaster in the history of overland travel. Patience = s father was one of those who died. After reaching Utah, Patience took the unusual step for a Mormon of marrying a soldier, John Rozsa, stationed at Camp Floyd. The troops there had made up the Utah Expedition, sent to ensure federal authority over the Mormons. Rozsa was a Hungarian immigrant and Mormon convert. When the Utah troops were recalled for the Civil War, Patience accompanied her husband, as an army laundress, to Washington, D.C., running a boarding house while Rozsa fought. After the war, he died at Fort Leavenworth of consumption, and Patience returned alone to Utah, where she became a cook at a mining camp in American Fork Canyon. Her autobiography ends there in 1872, though she lived till 1922.
T. R. Johnson and Thomas Pace
For about two decades, say Johnson and Pace, the discussion of how to address prose style in teaching college writing has been stuck, with style standing in as a proxy for other stakes in the theory wars. The traditional argument is evidently still quite persuasive to some—that teaching style is mostly a matter of teaching generic conventions through repetition and practice. Such a position usually presumes the traditional view of composition as essentially a service course, one without content of its own. On the other side, the shortcomings of this argument have been much discussed—that it neglects invention, revision, context, meaning, even truth; that it is not congruent with research; that it ignores 100 years of scholarship establishing composition's intellectual territory beyond "service." The discussion is stuck there, and all sides have been giving it a rest in recent scholarship. Yet style remains of vital practical interest to the field, because everyone has to teach it one way or another. A consequence of the impasse is that a theory of style itself has not been well articulated. Johnson and Pace suggest that moving the field toward a better consensus will require establishing style as a clearer subject of inquiry. Accordingly, this collection takes up a comprehensive study of the subject. Part I explores the recent history of composition studies, the ways it has figured and all but effaced the whole question of prose style. Part II takes to heart Elbow's suggestion that composition and literature, particularly as conceptualized in the context of creative writing courses, have something to learn from each other. Part III sketches practical classroom procedures for heightening students' abilities to engage style, and part IV explores new theoretical frameworks for defining this vital and much neglected territory. The hope of the essays here—focusing as they do on historical, aesthetic, practical, and theoretical issues—is to awaken composition studies to the possibilities of style, and, in turn, to rejuvenate a great many classrooms.
Kathleen Blake Yancey
Yancey explores reflection as a promising body of practice and inquiry in the writing classroom. Yancey develops a line of research based on concepts of philosopher Donald Schon and others involving the role of deliberative reflection in classroom contexts. Developing the concepts of reflection-in-action, constructive reflection, and reflection-in-presentation, she offers a structure for discussing how reflection operates as students compose individual pieces of writing, as they progress through successive writings, and as they deliberately review a compiled body of their work-a portfolio, for example. Throughout the book, she explores how reflection can enhance student learning along with teacher response to and evaluation of student writing.